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10 of 10



 Vixens of the Floating World 


watercolor/marker/ink





Art and Entertainment maintain a tricky love hate relationship. We associate the latter with pacification. Talented artists in every industry, I find espeically in Hip hop, are constantly being told to "dumb it down" or to make things less "artsy." While the rappers that do are put on trial for their exploitation of women with the obvious defense of sex sells. Evidence of the real consequences are vague at best. We put High art into the circle of intellectuals and educators and Low Brow art into the circle of pop-culture. Pop-culture, in a sense, is modernism's right hand man, downgrading the importance of tradition, escaping the confines of academic critique. An "in with the new and out with the old" attitude often risks a lack of education. "High" and "Low" art are difficult to desegregate. As if to desegregate learning and having fun, a combination that is often euphoric and gives us a path. Every human deals with feeding the mind versus pleasing the senses. The word amuse itself means without thought: "a" without, "muse" thought. There were nine daughters of Zeus called muses that personified knowledge, art, literature, dance, music, and poetry. Here my own muses relax in a Ukiyo-e inspired background. A Japanese style of art that translates as "pictures of the floating world." An Evanescent life of carefree pleasure, a genre that was popular before the turn of the century and would later influence the naturalistic decadence of Art Nouveau.










 










 









Reception at Art/Not Terminal Gallery


"Bottom of the Mountain" became an unusual vertical triptych, originally painted for feng shui purposes in my own home. Instead I decided to become a member of Art/Not Terminal gallery and was proud to enter this piece into their 25th Anniversary hanging.   

















Live Drawing of painting #10






Here I am as one of the guest artist for "WILDSTYLE Fridays" every 3rd Friday at Vermillion Art Bar  in Seattle... Working on the tenth painting "Vixens of the Floating World."





  








9 of 10




The Okapi: watercolor and ink

Popculture, colonialism, cultural assimilation and appropriation all have something in common. Can anything become mainstream? The African wears Victorian garb with European pith helmet. The Victorian dons the West African Fulani straw hat. This karmatic exchange is the Okapi of our brave new world.

An Okapi, once a speculation of myth, called the African Unicorn, was a mysterious Congolese animal, a relative of the giraffe. An English colonial administrator, Harry Johnston, was shown pieces of the Okapi's striped skin and skull by pygmy inhabitants of the Congo. The pygmies fed his curiosity of the creature for saving them from being abducted by a showman for exhibition. Jonston's discovery became a media event in 1901.













8 of 10




THE DAISY ORACLE

watercolor



Named after the famous divination couplet: "he loves me, he loves me not," believed to be of French origin, "The Daisy Oracle" is a painting that represents one great mystery of the human condition: sexual love; begging the old question, what does it mean to be in love? Versus lust. The daisy or day's eye, opening and closing to the sun's rays, means purity, Venus, light... all this chewed on by the happy cunning fox.


















6 & 7 of 10


                Tongue and Cheek 





Two watercolor paintings, a diptych, created at the same time in order to compliment each other. The snake charmer and virgin sacrifice are real traditions that appear in mythologies in cultures all over the world. The kiss itself represents a death marriage. But why a snake? The snake in some places means evil, greed, seduction, the negative side of male ego, but in other places wisdom, rain giver or rebirth. Whatever the story I believe there's a certain amount of danger in true beauty. Life and death might be what we're really attracted to.








Tongue












Cheek